Alec Baldwin’s costume designer bursts the collar: “I’m sick of the stories” – people

After the fatal set accident while filming Alec Baldwin’s (63) western “Rust”, there were some film crew members who reported about poor working conditions on the set. It was about “too long working hours, long journeys and late payment in wages”, as the “Los Angeles Times” reported.

One who has had enough of these claims is Terese Magpale Davis. She was a costume designer on the set of the western and shared a long, angry post designed to refute many of the claims made by the other staff on the set. Baldwin published the statement on Tuesday on his Instagram account, wrote: “Read that”.

“I’m so sick of this story,” Davis begins her contribution. “I worked on this film. The story of being overworked and surrounded by unsafe, chaotic conditions is bull *** t. “

For Davis, the crew members’ allegation that they routinely had to work more than 12 hours a day is not true.

“We never worked longer than 12.5 hours on a day of shooting. That was only once, ”wrote Davis. “Most days were under 12 hours. (…) Shortly before, we had a 56-hour weekend behind us. Nobody was too tired to do their job. ”All of this can be proven on the basis of the daily time sheets.

Costume designer Terese Magpale Davis is also deeply affected by the film accident. However, she wants to clarify a few thingsPhoto: Source: Terese Magpale Davis / Facebook

The claims that the producers allegedly didn’t care about the crew’s needs are also incomprehensible to Davis. “They were the most approachable and warm-hearted producers I’ve ever worked with. Complaints were heard and dealt with. Even those camera idiots were listened to and many demands were met until it became too much, ”writes Davis.

According to Davis, the camera crew, who stopped their work in protest hours before the gunshot accident, allegedly only did so because they wanted fancier hotel rooms. With the agreement of the union, they were eventually replaced – with professional filmmakers who were on the union’s waiting list and not, as has often been said, amateurs.

She, too, was angry with Dave Hall, the assistant director who handed Baldwin the loaded gun, but she wouldn’t blame him for not caring about safety on the set.

Regardless of the fact that Davis wanted to correct the allegedly false claims of some crew members: She too was deeply hit by the tragic accident on the set. “I will never get the sound of the shot and the screams of my director out of my head,” she writes.

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